Tuesday, December 26, 2006

Picking a project

If projects are the answer to being more creative, how do you come up with the idea ? I've been occasionally hung up on the thought that the project has to be grandiose and special - something that is going to change the world like Dorothea Lange's FSA series or Ansel Adam's images that launched the National Parks program in the US. I know my projects aren't that important or interesting, so sometimes that stops me even wanting to start. But I don't think I should be comparing myself against those images that have been filtered down through history, so that only the great and good remains. Anyway, I doubt those were the first assignments those fine photographers had, either!
It strikes me that, as is common in many endeavors, that productivity is one of the main keys to being creative. Just get stuck in there and take the pictures. The theme, other than being something that really interests you, isn't so important, as long as it makes you take the pictures. Worrying that pictures I haven't yet taken, aren't good enough, is just another form of procrastination. If I don't take them, I can be certain they won't be good enough, that's for sure.
I've tried to pick a few project themes in the past and I have a couple that I've recently started. One thing I've noticed is that the more open ended and loosely defined the project is, the more trouble I have in making progress with it. That's for a couple of reasons. Firstly, without a clearly defined subject, it is sometimes even hard to know what is part of a project and what isn't. A loosely defined project like pattern or portraits is generic to the point of being meaningless. I've found more tightly defined scopes of subject or theme really helps me focus in. Another key is that the subject should be accessible. So choosing to shoot Tibetan monks might be an appealing idea, but not very accessible to let me shoot over and again. Texan cowboys might be a better idea (unless I lived in Tibet)
I've also found that a technical hook can pull the images together, either by using one camera format, or one lens, or keeping the post processing to a consistent style or colour palette. I have one series that is being shot all on a lensbaby. Another has the same post processing, lens and shooting style. The pictures hang together thematically and visually as a result. I've thought at times that this is a gimmick, but the more I look at other projects by other photographers, I can see this same concept used to link the images. When it doesn't happen, it can be jarring and the project looses cohesion.
The other key for me is to define an end point. While many people devote their lives to shooting a particular theme, returning time and again to the same subject, I think for now I need to know when I'm done. Perhaps more importantly, this lets me gauge where I am along the way and allow me to demonstrate progress to myself. It will also keep me on track - I can produce a shot list and just tick them off as they get done. I think that'll help make me move on. Shorter duration projects are also a part of this. For now, grand 5 year plans will just lead me nowhere. I'll be better off picking a project I can shoot in a weekend, or a month or 6 months and actually finishing it, rather than starting yet another long term, long range theme. Along with this, I've found it helpful to define an end product, so that I know what I'm shooting for. This might be a set of prints, or a pdf, or a book or a website - what the end product is doesn't really matter, but if I know where I'm going, then it can help guide the type of pictures I'm going to take.

3 comments:

Mike said...

Hi Gordon,

One of the reasons I regularly visit your blog is that we seem to be grappling with similar challenges around being creative, getting more from photography etc. It is both interesting and helpful to see how you are addressing these issues.

I don't know if projects are the answer, but I have decided to try that route to overcome my own problems. I have really struggled recently, at one point I had thoughts of just giving photography up altogether. Instead I have refocused by setting some goals and then deciding to use projects to help me achieve them.

Like you, I have started projects and not finished them or had ideas that I failed to put into practice. My blog is part of the solution to that. Posting the projects in a public space while still "work in progress" provides an incentive and commitment to need to see it through.

The attraction of a project for me is that it drives purpose and structure into my photography - deciding the theme, researching and planning the shots, actually taking the shots and then publishing them. This means I can always be making progress even if I can shoot for any reason.

I have launched my three initial projects on my blog. Later today I will add a post to explain the reasoning behind each one. I would appreciate your thoughts and comments.

By the way, I think your preparations for the Ironman challenge would be a great theme for a photo journal type project.

Mike said...

Sorry, there's a typo in my comment... I mean't to say "This means I can always be making progress even if I CAN'T shoot for any reason."

Gordon said...

Hi Mike - glad to hear you find some of this helpful. I've gone back and forth on the idea of posting projects or project ideas out in public while they are work in progress. Sometimes I feel it might help me, other times I'd like to show the results, fully formed.

The one thing I have found is that each time I put out there what I want to do, someone always pops up and offers help or support. Same way if I describe something I want to do to someone, they always seem to know somebody I should meet or add a great idea in to jump start things, so on balance, I suspect sharing is the way to go, though sometimes it can be difficult or awkward.

I've actually been thinking about a series related to the Ironman prep, I might post more about that later. (Given what I just said, I suppose I should!)